Homage To “Greatest Of All Time”: The 90’s Supermodels Return To The Cover Of Vouge

American Vouge & British Vouge/September Issue, 2023

I would be remiss to not acknowledge the return of the original Supermodels to grace the cover of THE SEPTEMBER ISSUE of Vouge. Both the American Vouge and British Vouge united to bring these four together, decades later. 2023. Gracing the glossies, once again, it is with experience of time and years that each of these women, who have impacted not only the world of fashion, but beyond, are paid a tribute to in both the US and the UK issues. Capturing the coveted cover of Vouge’s most important editorial calendar month-September- is certainly an impactful statement. As these four women have and will always be Supermodels. Wisdom, poise and grace

American Vouge, September Issue 2023
British Vouge, September Issue 2023

“They weren’t born into this. And they surpassed the world they entered into” – Roger Ross Williams, Director, “The Super Models”

In the late 1980’s to mid 1990’s, the Supermodels embarked upon the world of fashion as a new era of modeling hit the covers and pages of fashion’s glossies. Said to have been “A cultural moment that became singularly important” in fashion, the Rare combination of extraordinary photogenic features, born-with it self confidence, intuitive style, intense curiosity, and utterly bananas work ethic flipped the switch for the industry (Brian Grazer, Director, “The Super Models”). All of which brought these models into stardom, both in pop culture and in page after page of fashion’s archives. Dubbed an “Elite clique”, they were business women in the art of their craft. And they were incredible. Rightly stated by Sally Singer for Vouge: Women whose professional lives were once defined by supersonic itinerancy….” Indeed, it was a Supersonic embarkment upon fashion that carried them through that decade.

The Iconic photographic images of that time will always live on as iconic moments of a time in fashion. Why so impactful to me? I was their age at the time when they entered the world of fashion and hit Superstardom. I grew with them. And I viewed their rise…and fall from the covers of fashion. It was a world before internet. And the magazines of fashion were my only connective to the world I coveted. The art of the model, fashion and the art of photography. Now in my 50’s, like them, my nod and homage to them, and to the world of fashion that catapulted them, and to the Era in fashion that they reigned over, I applaud them all. And Vouge. For uniting them together, once again, to grace a cover and impact us all. Once again. A return to fashion as fashion, indeed….

The Original Supermodels, 2023

To pay tribute to these Supermodels, I cannot help but delve back to the time when they were replaced. In the late 90’s the world of American fashion switched gears to a new focus in print in hopes to sell more magazines: celebrities. Celebrities replaced not only the Supermodels from the covers but practically all models. Replaced by the world of Hollywood and the music industry (and eventually even the faces of politics). It was a shift. And in my opinion, a sell out. Compromising the integrity of fashion and the founding purpose of the fashion magazine. I remember it well. I was disheartened. I recall that each new month my hopes that a model would once again grace the cover of fashion’s glossies and fashion would return to fashion. Alas, the reign of the Supermodels, or models & fashion, for that matter, had ended. And I have always looked back at it fondly. For it was a time when fashion was about fashion. Fashion magazines were about the designer. The Clothes. The Models that wore the clothes and the photographer that captured them. It was a combined art form. And it suddenly became a mere celebrity obsession and the “Illusion of substance”. As a result, in the late 90’s I had let my magazine subscriptions expire and would merely walk past the magazine stands, wistfully, once I verified that the cover was yet another “celebrity”.

“Trading on Hollywood magic: Celebrities push models off women’s magazine covers”. – The New York Times, January 30, 1999

Interesting to add…in the words of Linda Evangelista, New York Times, January 30, 1999:

”The term ‘supermodel’ is a press-induced word,” she said through a spokeswoman. ”We have never called ourselves supermodels.” She added, ”I feel the readers are more intelligent and appreciate beauty no matter what the females’ traditional career may be.” She noted that if models are not appearing on American covers, they can still be found on the majority of European and Asian magazine covers”

And yes, I had found myself seeking and purchasing the European glossies…and in fact, they became and are undoubtedly my favorite covers. Framed. Many a cover, and photographic fashion spreads, of these Supermodels, I have saved from that Era in time. A few of fashion’s glossy pages and poignant covers that endure to inspire me. Time and place. There is a part of me that will always remain in the world of the nineties. When fashion was fashion. Again, the art of the designer. The art of the photographer. And the art of the model. Onward.

American Vouge, January 1990

And of the legendary image that is said to have ushered in the era of the Supermodel? The iconic image, captured by photographer, Peter Lindberg, grouped Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turligton and Cindy Crawford together on the glossy cover of January 1990’s issue of Vouge. 1990 and 2023 covers. Now, 33 years later, the “Greatest of All Time” (although with the loss of Tatjana Patitz, who passed earlier this year) as in the 90’s, this 2023 September issue is indeed a homage to these icons that will withstand time. Is it 90’s nostalgia? I think not. Certainly, not for me. Rather, it is part of fashion’s legacy. Where it once was and where it will never return again. But, that said, there is still hope. A glimmer, perhaps, that the icons of today’s top models will find their way to the cover with more frequency. Onward in that!

Onward,

Kristin

PS: For the record…as the years and decades have past, I have gone in and out of subscriptions of fashion’s glossies. That said, upon learning the Supermodels would return to the cover of Vouge, I re-subscribed to American Vouge, once again. Perhaps it has always just been a love affair. Onward in the love of fashion!

“Karl Lagerfeld: A Line Of Beauty”, The MET 2023

Karl Lagerfeld MET Exhibit 2023
The Metropolitan Museum Of Art, New York City
July 14, 2023

On the closing weekend of the Costume Institutes Spring exhibition, Karl Lagerfeld: A Line Of Beauty, at the MET (Metropolitan Museum Of Art, New York City), I took in, in awe, the vast work of the iconic and prolific designer. (The Exhibit hosted the MET GALA and ran from May 5- July 16).

“Focussing on the designer’s stylistic vocabulary as expressed in aesthetic themes that appear time and again in his fashions from the 1950’s to his final collection in 2019″The Met, Press Release

Of those designs included in this exhibit, in which Lagerfeld served as the Creative Director, are the following: Fendi: 1965-2019, Chloe: 1974-1983 & 1992-1997, Chanel: 1982-2019, and his eponymous label, Karl Lagerfeld: 1989-2019.

The MET/ Karl Lagerfeld: A Line Of Beauty

Presented as “a thematic and conceptual essay about Lagerfeld’s work, it is important to note the meaning behind the title of the exhibit itself. “A Line Of Beauty”.

The exhibition “examines his career spanning more than half a century through a framework based on William Hogarth’s “The Analysis of Beauty,” specifically his ideas of a serpentine line representing liveliness and a straight line indicating stillness” 

The Analysis of Beauty is a book written by the 18th-century artist and writer William Hogarth, published in 1753, which describes Hogarth’s theories of visual beauty and grace in a manner accessible to the common man of his day. Prominent among Hogarth’s ideas of beauty was the theory of the Line of Beauty; an S-shaped (serpentine) curved line that excited the attention of the viewer and evoked liveliness and movement.”

Serpentine Line/ William Hogworth

The serpentine line signifies Lagerfeld’s historicist, romantic, and decorative impulses, while the straight line indicates his modernist, classicist, and minimalist tendencies. These two lines are further divided into nine “sublines” that present aesthetic and conceptual dualities showcased in Lagerfeld’s designs for Chanel, Chloé, Fendi, and Karl Lagerfeld: feminine and masculine, romantic and military, rococo and classical, historical and futuristic, ornamental and structural, canonical and countercultural, artisanal and mechanical, floral and geometric, and figurative and abstract. Bridging these dualities will be figurative “explosions”: garments that represent moments of convergence, wherein the competing aesthetics of these dichotomies are united and reconciled“. -The MET, Press Release

Lagerfeld. The “S”

“The exhibit centers first and foremost on the dichotomy of the curved “S” line (think romantic, decorative) and the straight line (modern, minimalist), with one curved wall and one straight wall in each gallery, and designs that express each aesthetic.” – AP News

Like myself, who walked through the exhibit, with its rounded corners of intrigue that were met with straight walls and edges, it truly was a dichotomy. Yet it was a beautiful infusion of themes that seemed to flow amidst that contrast of vast differences of style. A Line Of Style. Each turn of every corner or rounded wall took one on a journey through fashion. And into the world of Karl Lagerfeld. I found myself yearning even moreso to gain a better understanding of the man being the dark shaded glasses. For certain, I left the exhibit with even more respect for the designer and his gift to the world of fashion. His artistry was vast. His links to the current world he designed within evident. Time and place. The images that I have captured and compiled are of the garments that I was enchanted by. Past and present. To see these couture garments up close and study the details of their elegance and true artistry was exhilarating. And unforgettable.

A Line Of Beauty: Karl Lagerfeld Exhibit/The MET 2023
Countercultural Line/ House Of Chanel
1991/Peter Lindbergh for Vouge/“Wild At Heart”/Chanel

As impactful as the exhibit was to me, I simply have to share a special moment of personal connection experienced during the exhibit. And share an image from fashion’s glossies to link time and place. Circa 1991. Styled by Grace Coddington, photographed by Peter Lindbergh, it was image of the elite eight Supermodels in Brooklyn, NY for the September 1991 issue of American Vogue. It has remained an iconic era of Lagerfeld to me. That September Issue. The editorial termed “Wild at Heart”, featured Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder, and Stephanie Seymour). An iconic editorial that impacted me 32 years ago and endures as a personal favorite. The duality of romantic elegance and bold and fearless leather. And Chanel-esque accessories. An unexpected contrast that Lagerfeld rocked. To see the mannequin adorned in pink and leather above me on a pedestal halted me. In pure delight. And I gazed and smiled, frozen in my stance, mesmerized by time and place. I knew exactly the supermodel who it had adorned. Flashbacks in fashion. In fact, I heard a gasp from an attendee, that rounded the corner behind me, voice out loud “There she is. There’s the one we all know and love”. To turn and see her gaze set upon the same mannequin verified it for me. Yes, it can be a love affair linked to fashion and form. And time and place. Lagerfeld had that way. Of impact. Even in his absence his designs still impact and will continue to do so.

And so, on to the compilations of a moment in time at the MET. Karl Lagerfeld and his artistry, creativity and vast designs of style. Not every line from the exhibit is presented, but rather it is a personal, inspirational recollection compilation of the exhibit. And, for the record, if there is a theme throughout what I have presented, perhaps it can be said that his designs and tenure at the House Of Chanel were my focus. They always have been…

Romantic Line/ House of Chanel
Romantic Line/ House Of Chanel
Romantic Line/ House Of Chanel
Floral Line/ Fendi
Floral Line/ House Of Chanel
Floral Line/ House Of Chanel
Floral Line/ House Of Chanel
Floral Line/ House Of Chanel
Floral Line/ Fendi
House Of Chanel
Feminine Line: House Of Chanel
Artisanal LIne/ House Of Chanel, Fendi
Artisanal Line/ House Of Chanel
Rococo Line/ House Of Chanel
Classical Line/ Fendi
Countercultural Line/ House Of Chanel
Countercultural Line/ Military Line/ House Of Chanel
Geometric Line/ House Of Chanel
Canonical Line/ House Of Chanel
Canonical Line/ House Of Chanel
Mechanical Line/ House of Chanel
Masculine Line/ House Of Chanel
Masculine Line/ House Of Chanel
Masculine Line/ House of Chanel
The Satirical Line/House Of Chanel
The Satirical Line/House Of Chanel

“I am like a caricature of myself. Like a mask. For me, the Carnival of Venice lasts all year” – Karl Lagerfeld

Perhaps the final line in the exhibit, the Satirical Line, brought a grin of acknowledgement of Lagerfeld’s witty sense of humor. Perhaps this is the image of Lagerfeld we immediately think of. Iconic Lagerfeld. It was in the early 2000’s that he is said to have developed his own personal uniform through years of self-study. In black and white. For certain, he became an identifiable icon in his world of black and white restraint. The power of his uniform endures.

“Black, like white, is the best color!” – Karl Lagerfeld

And of course, I completely agree…

The Satirical Line/ Chloe
The Satirical Line/ House Of Chanel
Floral Line/ House Of Chanel

Of note, and on view throughout the exhibit, were sketches of many of the garments on display. Another visual of connecting his work. It has been said that Lagerfeld’s unique design process, his practice of sketching, was not only an expressive fashion illustration but how he communicated details and technical design. Incomparable artistry of a designer, indeed.

“My sketches look like the final thing”- Karl Lagerfeld

Recreated. The Desk of Karl Lagerfeld/A Line Of Beauty Exhibit

“I don’t anyalyse what I do. I do it without comment. I propose things. My life is a life of proposals” -Karl Lagerfeld

“In the end, I am just a mercenary paid to perpetuate the label. You can’t go wrong with that” – Karl Lagerfeld

The impact of seeing the recreation of the wondrous chaos of his desk was inspiring. The exhibit lives in my memory. For certain, Lagerfeld was a “Fashion designer-impressario”. Truly, “The personification of a zeitgeist-embracing and commanding several styles simultaneously”, as clearly evidenced throughout the exhibit.

One last image and notation to share…. and perhaps an image that I captured which expresses the exhibit to me. Form. The silhouette and the shadows. There was no oversight in the way the lighting presented the mannequin figures of fashionable art by Lagerfeld. For the shadows actually became a part of the exhibits impact

Line of Style “Shadows”

My appreciation and admiration of the iconic designer, whose remarkable career spanned 65 years, has tremendously increased through visually seeing, in person, the garments of his artistry and the different lines of style as one designer he had created. A Chameleon of Design. It was stunning. That said, the impact of this exhibit will endure to inspire me forward. That is a gift not to be forgotten…

Onward,

Kristin

October 1998, Marshall Fields, Chicago. The Fragrance Launch of JAKO, Karl Lagerfeld

PS: Time and place. In October of 1998 I met Karl Lagerfeld at an autograph signing in Chicago, at what was then Marshall Fields. It was the launch of his fragrance, Jako. In a world before cell phone cameras, I knew this moment would be a rare, lifelong recollection. So I brought a real camera. And photographed him from afar, with discretion. In 1998 it was a world before selfies. And it was a world that Lagerfeld had already impacted. Time and place, onward. And of meeting him? His elegance exuded him. And I have never forgotten that. Once an icon, always an icon. Personal favorite, onward…

In Acknowledgment Of The Passing Of A Supermodel: Tatjana Patitz

Vouge Italia, February 2023

Tatjana Patitz.

An ode to Tatjana…in acknowledgement of an icon in fashion whose impact will endure to live on…

Tatjana Patitz (1966-2023) was a German model. And a Supermodel. It was during the 1980’s and 1990’s that her stardom would ascend and she would appear on the covers of fashions glossies. Born in Hamburg, West Germany and raised in Skanör, Sweden, Tatijana would become one of the top supermodels who ruled the runway in the 1990’s. The volume of photographic captures of Tatjana is vast. This tribute is a mere capsule of her gift to the world of fashion.

For one who fell in love with the art of fashion…and grew into womanhood following the rise of the Supermodel…the impact of life’s brevity has struck again with the loss of one of the greatest, Tatjana Patitz.

Again, a mere visual compilation of images in acknowledgement….

Tatjana Patitz…Covers of Fashion

 

Captured By Photographer Herb Ritz:

“My favorite face is probably Tatjana Patitz.  I think I’ve photographed her more than anybody, and to me more than any of the women she has the most unusual face:  Strong, oval, the almond eyes and those strong lips- and it’s her gaze, her inner self that always comes through so strongly”Herb Ritz

Captured By Photographer Peter Lindbergh:

“I admire Tatjana because she always stays herself.  She’s very soft, but at the same time she’s very strong and knows how to stand up for what she thinks, and it’s always very enriching to be with her.  It’s impossible not to admire her and over the the years not to be just a little bit in love with her” – Peter Lindbergh

Peter Lindbergh, 1990 Vouge Italia
Captured By Photographer Patrick Demarchelier:

“It’s hard to get a bad picture of Tatijana.  She’s very photogenic, which is very rare and she looks different in every light”Patrick Demarchelier

Tatjana Patitz
Tatjana Patitz
Gracing The Glossies Of Fashion…Tatijana Patitz
Tatjana Patitz

She possessed an exoticism and broad emotional range that set her apart from her peers”Nigel Barker “The most lasting images of her are when she was really looking like herself.”- Nigel Barker

This image has an empty alt attribute; its file name is tatiana-patiz-supermodel-p-9.png
Tatjana Patitz: Fashion Past & Fashion Forward

“Indeed, Patitz’s features almost confuse. Like Garbo  or the Mona Lisa, the inexplicable gifts of line and luminescence defy definition”Harper’s Bazaar

Tatjana Patitz
Tatjana Patitz

“Always the European symbol of chic….She was far less visible than her peers — more mysterious, more grown-up, more unattainable — and that had its own appeal.”- Anna Wintour, VOUGE

Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz

“One of the original supermodels and a must in photographs and on the catwalk”.  Vogue, 2012, Grace Coddington

Tatjana Patitz

“At just shy of six feet tall, Teutonically self-composed, and dominating any room she cared to walk into [sic], Tatjana was the biggest beast in the seething jungle; Vogue amplified the comparison by fixating on her lynx-like eyes, impossibly blue and curved around the temples like a cat’s”. –  Vogue Model: The Faces of Fashion.

Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatijana Patitz

“Patitz is greatly responsible for establishing the acceptance of statuesque and curvaceous beauty in an industry of extreme thinness” – Author Linda Sivertsen

Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatijana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz. An Equestrian Love.

In acknowledgement of her love of horses….

“I have been riding since I was a small child. For me, it means freedom, connectedness, and dedication. Horses transform stress and worry for me. They are genuine and spiritual. They make me happy and relaxed, especially if I feel pressured or tense”. – Tatijana Patitz

Tatjana Patitz
Tatjana Patitz

Perhaps one cannot fully acknowledge the impact of Tatjana in fashion without acknowledging the SUPERMODELS...

The proclamation of the Supermodel could be attributed to the glossy cover of British Vogue in January of 1990. An Era-defining cover at the start of a new decade, for certain….

British Vogue 1990: “The Big Five” Supermodels

For those that recall the Era of the 90’s Supermodels and lived through that heightened time in fashion.. a brief recap of the time that will forever inspire me…

It was a moment in time when fashion was about fashion.  And the images of models wearing the styles of designers graced the covers of fashion’s glossies.   Fashion as an art form.  And the models that represented the changing styles and transformational chameleons the models became at the hands of makeup, hair and photographic artists that captured them. Supermodels.

Truth, I was one who purchased these glossies from the magazine stands since the mid 1980’s, a time in which the term “Supermodel” is said to have surfaced as models began to experience a level of celebrity.  But it was during the 1990’s that a group of five models rose to unprecedented superstardom through fashion’s glossies and its catwalks. The Supermodels emerged- “a select group of individual-looking, business-minded, high-profile fashion models”, often referred to as “The Big Five”:  Naomi Campbell, Cindy Crawford, Christy Turlington, Linda Evangelista, and Tatjana Patitz. The original Supermodels. Icons of the time. But as in the world of fashion, the world of the Supermodel would evolve again to include Claudia Schiffer (who is said to have replaced Patitz).  The arrival of Kate Moss would evolve to “The Big Six”. Many more models would also rise to Supermodel status. It was an Era, indeed…

And yes, I had curated a collection of covers and glossy prints of the Supermodels portrayed in the art of fashion’s branding and visual merchandising. I watched it all happen. And I became a woman along with the Supermodels. For in later years I realized that they were not much older than I. The time was quite magical. And unique. Watching the five women in print- chameleons by way of the designer, photographer and makeup/hair artists that positioned them for the glossy visuals and unleashed them onto the catwalks that would endure to impact and sell fashion. And inspire. It truly was an art. Fashion. Designers. Photography. Makeup artistry. Five women. And it was thrilling to visually flip through the different glossies each and every month. Which Supermodel graced the cover this month? And yes, during the 1990’s I often splurged on the glossies of European Vouges. I was smitten with the art of it all.

Alas, all things rise and fall.  And by the late 1990’s, the glossy covers of fashion would elevate Hollywood celebrities and Pop singers.  The iconic Era of the Supermodel, as it was once known, no longer had the limelight of fashion’s focus. Perhaps I hold a very passionate stance on what fashion once was: The designer and the model-and the photographer who captured it all…No other group of models have matched the influence and status as the original Supermodels. To acknowledge the impact the Supermodels had is to understand fashion in a poignant decade of time

SUPERMODELS, 1990’S
SUPERMODELS COVERS, 1990’S
“White Cotton Shirts” By Peter Lindbergh for Vouge
Tatjana Patitz..later years

“I am proud of my wrinkles. I worked for each one and they belong to me. Growing older is beautiful. You become wiser and more mature. For me, giving away or changing that gift is not an option … Beauty means being a good person and being there for others. In my opinion, beauty is not only about looks, but everything that makes up a person” Tatjana Patitz, 2019

Tatjana Patitz, Harpers Bazaar 1990

The legacy of a Supermodel. In images. A visual acknowledgement. A woman. A mother. Taken by breast cancer. She was 56.

-Kristin

An Acknowledgement of An Icon: 150 Years of Bloomingdale’s

Bloomingdale’s. Iconic from the very beginning. Circa 1872-2022. 150 years. And so the celebrations have begun. A tribute to the world of Bloomingdale’s…an American luxury department store of style.

A brief nod to the history of its early beginning…

In 1861 Benjamin Bloomingdale and his eldest son, Lyman, opened “Bloomingdale’s Hoopskirt and Ladies’ Notion Shop” on the Lower East Side of New York City. But it was the two Bloomingdale brothers that would embark upon a new era of their namesake. In 1872 brothers Lyman and Joseph Bloomingdale opened “Bloomingdale’s Great East Side Bazaar”. Located on Third Avenue, between 56th and 57th Streets in Manhattan, their product offerings expanded beyond the women’s garments to men’s garments. Through the establishment of their own buying office in Paris, European fashions became a successful part of their new venture’s allure. Their success resulted in relocating Uptown to 56th and Lexington Avenue in 1886.

Of note, the Third Avenue /Bloomingdale’s Illustrated 1886 Catalog (left image below) is said to explain that the mysterious item atop the building was “a hoop-skirt attached to the flagpole.”  A symbol of the first garment of success for Bloomindale’s. Who knew?

History of an icon. Bloomindale’s.

When Bloomingdale’s headed uptown to 59th and Lexington Avenue in 1886, their world of visual merchandising would certainly benefit from what the building presented with its double height, cast iron entry and large glass windows. It is said that these windows gave Bloomingdale’s the ability to display their items “often in a theatrical manner”.  The art of window display and visual merchandising, onward! With success upon success, by the 1920’s the expansion of Bloomingdale’s was over an entire city block. As side note of architectural interest, during the late 1920’s early 1930’s, the entire store front was redesigned in Art Deco style by architects Starrett and Van Vleck. So befitting.

Bloomingdale’s evolved into one of America’s first department stores and become a fashion destination across the country and the world. A beloved, global retailer, indeed. A nod to the success of an iconic retail establishment in celebration of 150 years…

Bloomingdale’s In Time…

Oh, the logos of Bloomingdale’s! I certainly recall. Growing up in Long Island, New York during the late Seventies and Eighties, it certainly was a department store that everyone was well aware of…and a known destination.

Logos Of Bloomingdale’s
Bloomingdale’s Bag/ 1986

Since the 1960’s Bloomingdale’s commissioned artful shopping bags that would be lauded as the first “Designer” shopping bags.

But perhaps there is no other infamously known bag than their iconic brown paper bag. In 1973, a century after opening the Midtown Manhattan store, Bloomingdale’s launched, with bold simplicity, the Big Brown Bag. Designed by Massimo Vignelli, the Little Brown Bag followed a year later and the final addition would be the Medium Brown Bag. Oh, the joy of the trio of Brown Bags of Bloomies! Icons that endure, indeed…

Bloomingdales Holiday Sticker 1994

It was during the early 1990’s that I was a part of this iconic retail company. It was the 900 N. Michigan Avenue Bloomingdale’s location in Chicago, Illinois that would hold my experiences of the world of Bloomingdale’s. Located on what is known as “The Magnificent Mile”and within walking distance to Oak Street Beach and Lake Michigan, it was here that I realized that the level of service, the merchandising and the appeal of this iconic department store which would forever impact my perspective on retail. In fact, it would begin my quest for quality and possibly where my personal search for elegance began…

Circa 1995, Bloomindales/900 N. Michigan Avenue/Chicago

As a Beauty Advisor for Lancome, in the busy city hub cosmetic department, the lights and energy, the style and sophistication and elegance this store held at that time would not be forgotten. Rather, those recollections remain, having made an enduring impact. There are those moments in life when your eyes are widened into the vastness of design, fashion, interior graces and the quality of those things that you aim to fill your life with. The fine pleasures of living in search of elegance, indeed. Bloomingdale’s succeeded in all of that. And for 150 years, Onward. Perhaps Andy Warhol said it succinctly: “The best museum is Bloomingdale’s”.

To end with, one final quotable from the iconic Andy Warhol:

“I don’t believe people die. They just go uptown. To Bloomingdale’s. They just take longer to get back”.

Circa 1994, Myself/Lancome Beauty Advisor/Bloomingdale’s
Mickey Mantle, American Major League Baseball player/New York Yankees (1931-1995)
900 N. Michigan Avenue/Chicago

For the love of Bloomies. Happy 150th to an icon of style!

Onward!

-Kristin

A Fashionable Nod to an icon, to Denim And The World Of Gloria Vanderbilt

Gloria Vanderbilt Denim: Icons

A fashionable nod to a fashionable icon. Gloria Vanderbilt (1924-2019). She built a fashion empire. A member of the Vanderbilt family of New York, she was known as a fashion designer, heiress, and socialite, yet she was also an American artist, author and actress. Yet it is the recollection of her impact during the late 1970’s and early 1980’s, when her line of denim impacted my youth. Noted as an early developer of designer blue jeans, it is the golden swan and the high waisted, fitted and slim fit denim blue jean that harkens my recollections of my youth. As a teen growing up on Long Island, New York during that time, I recall the impact of the swan. Yes, I indeed had a pair. It was a coveted pair. Oh, right alongside the coveted Jordache and Sasson jeans…

Gloria Vanderbilt. The Denim. The Woman.

In acknowledgement of Gloria Vanderbilt. Elegance and denim really do unite. Onward in that.
For the love of denim, thank you Gloria…

Onward,

Kristin

In acknowledgement of the passing of a fashion icon, Karl Lagerfeld…

Karl Lagerfeld

Elegance is an attitude. Indeed, it is. From the words of Karl Lagerfeld, an icon in fashion, and especially within the world of Chanel, onward in that. With an appreciation of the world of fashion design, Lagerfeld has always been one that captured my attention with his constant mystique and his bold force in the world of fashion.  A pioneer of fashion and noted as:

“One of the most prolific and celebrated fashion designers of all time”- Harper’s Bazaar

From my archives, June 2018

I can always be found photographing the windows of the Chanel boutique on Michigan Avenue in Chicago, Illinois.  A destination from behind my lens for years has been the windows of Chanel.  Lagerfeld, born in Hamburg and changing the world of fashion for decades in Paris, will live on as a force of change itself.  In his words, “Change is the healthiest way to survive”.  His mark of change and his gift to fashion, that he brought forth through decades of his work, will survive and endure to live on, indeed.

On a personal note…  In 1998 I met the icon of fashion at the launching of his fragrance, Jako, at the Chicago State Street flagship store, Marshall Fields.  Framed is his autograph personalized to me. It represents a moment in time not to be forgotten.  For I had met an icon and prolific designer of fashion that will endure to impact the world of fashion.

How befitting to quote Coco Chanel:

“Fashion changes, but style endures”

Onward in appreciation to the change, the style and the iconic presence of the late Karl Lagerfeld.

Onward,

Kristin

Fashion & The City

May: Fashion & The City: Chicago

May. Fashion and the city, Chicago. Again, another blending of style and the details of the city and its streets. Joint inspiration from behind my lens, indeed. Quick snapshots in time of changing visuals in a city. Without a doubt, it was officially Summer. And a sweltering Summer day, at that. With temps in the concrete jungle in the high 90’s, the “real feel” was clocked in at 104 while perusing the Gold Coast off Michigan Avenue. On this particular day, breezes from Lake Michigan were non-existent.  It was merely hot, hot, hot. But onward. Onward to rejuvenate myself and focus on the details and the city scene I was immersed in. Chicago Love. Fashion Love. City life love.

Spring Into Summer Green Off The Chicago River

With a nod to Memorial Day, the windows of Ralph Lauren offered a classic American visual of fashionable style. Polo Style. All white delight, and the red, white and blue stars and stripes that we love. Classic Americana. Summer in America, for certain.

Ralph Lauren’s Polo: Classic American Fashion

Of course, Max Mara always gains several compilations from behind my lens. A mass of stylish mannequins always lures my camera…

Max Mara: Style & The City

Structure & Stylish Substance: The City & Max Mara

Fashion Windows & City Details

Structure & Fashion’s Timeless Form: Max Mara

Michael Kors City Style

Vivid Tones In The City: Hugo Boss

A City’s Stylish Reflections: Chanel

Fashion & Timeless Structure: Chanel and City Details

 

Neiman Marcus: The Marred Mannequin & The City

A word about a photographed mannequin from behind the stylish windows of Neiman Marcus. Shock from behind my lens. As I have been capturing visual merchandising from behind my lens for over 5 years, I had yet to come across a mannequin on Michigan Avenue, from such a high-end brand as Neiman’s, with a marred face. As I stood there, debating to share such an image of visual faux pas, I began to ponder as to how the visual merchandiser found it acceptable to leave the mannequin in the window with such glaring defects. Alas, perhaps it is only those of us that truly stop to view, to admire, to look at the details, that notice.  Maybe the thought was it would go unnoticed by the fast paced shoppers that only throw a glance towards the fashionable whimsy behind the expansive windows of glass.  Yet to me, as a photographer of high style mannequins, I expect more. Higher standards, if you will.  Perhaps I am in alignment with the well said quote below…

“I have the simplest taste. I am only satisfied with the best”   -Founder Stanley Marcus of Neiman Marcus

City Style: Burberry And The City

Fashion and the city. One more compilation in time. Visual merchandising that changes monthly and the structure and form of the city. A love affair that continues.

Onward,

Kristin

The Photographer In The City. Selfie, Buberry’s/May 2018

Fashion & The City

Fashion & The City: Chicago Style

Fashion. The city. Two loves entwined. Another month of images from behind my lens to weave together the visuals of styled, fashionable stance behind thick panels of glass and the structural visuals that a city bestows to those who look closer. Details. Captured. The essence of a fashion and the city that surrounds it

It was late April in Chicago. Blue skies. Minimal Chicago winds. Spring was in the air. Alas, my timeliness in sharing is late…but images are lasting and one month spills into the next swiftly. Time itself is swift. The month of May images await from behind my lens. Yes, a monthly visual compilation continues. Yet appreciation of the moment captured is always my intent to share. Onward in that. From behind the lens.

City view: Chicago, April 2018

City Structure & Fashion’s Whimsy At Neiman Marcus

City Scene & Brilliant Whimsy, Neiman Marcus

Stripes & Structure: Neiman’s & The City Of Chicago

Hugo Boss & Michigan Avenue Scene

“Chicago” Icon & Burberry

Max Mara & City Detail

Max Mara: Blue Hue & Architectural Details

Michael Kors & Iconic Chicago Architecture…The Wrigley Building

Chanel. Details in a city.

Every once in a while I photograph a mannequin that beckons a rendering in black and white. Brilliant fashion style that endures to delight from behind the lens (thank you, Max Mara).

For the love of Fashion’s Mannequin… Max Mara Style

Consider the world of fashion as it exists in the city. The two collide in a delightful city scene. For the love of fashion and the city, Onward.

Kristin

Fashion & The City

Fashion and the City/Chicago/March 2018

Fashion & the city. Entwined. Architecture and the city. City scenes and fashionable luring windows endure to bring appreciation from behind my lens. An ongoing attempt at capturing the essence of fashion’s change in a structural world of distinctive architectural details. A love affair, indeed…

Spring onward, from behind the lens…

The Beauty Of Neiman Marcus  Visuals & City Details

City Patterns & Color Bursts Of Style

Seasonal Nods Of High Style, Neiman Marcus

Fashion and the City, Louis Vuitton

For the Love Of Chanel…And The City Of Chicago

Two Loves: Fashion & The City

The Windows Of Prada, The Artistry Of Visual Display & Details Of Substance In A City

Color Burst, Tom Ford & City Scene

Stripes & City Style: Max Mara

Fashion & The City: Always Entwined. Max Mara.

Burberry Fashion & Architecture

Appreciate the details that surround you. Looking closer, looking upward you will find details of beauty. And from behind the thick glass panes of fashion’s changing stage? Inspiration and appreciation of fashion’s whimsy and artful displays of style will loose you, if but for a moment, into the timeless and often fantasy world of fashion.

Breton Stripes At Max Mara

One side note…On this day, March 31, 2018, Jcrew has deemed it to be International Stripes Day.  Befitting that the image below finds me in Jcrew stripes. Breton Stripes forever!

Onward!

Kristin

Self Portrait Off Burberry’s Reflective Exterior.

Fashion & The City

Fashion & The City: February 2018

So it was February. Fashion and the city. Intertwined. As fleeting as time is, the changing windows of fashion move at the speed of the city streets. Constant. To see the world of fashion behind the windows of a city is to see the city itself that these representations of style dwell within. From behind the lens, once again, my shift has changed to add the details of the city and street scenes paired with fashionable style…

Max Mara In Chicago

Max Mara In Chicago

Burberry Tulle & Parisian Architecture, Chicago

Burberry & The Icon Of Chicago

Blue Skies: Michael Kors & The “Bean”

Chicago Details & A Fashionable Mannequin Of Saks

Hugo Boss Style & City Details

Fashion & The City (Zara)

Consider the city surrounds and the fashionable representations therein. City life is certainly a mix of energy and fantasy. Look closer.  Look upward. Appreciation for the visuals and details that surround will only bring gratitude for the very gift that each day brings.  Alas, I will never tire of saying it…“Every day is a gift”.

City love and fashionable love, Onward,

Kristin

The Photographer…

PS: Perhaps capturing myself in my own way is documenting personal change. Internal change in recollection of a moment captured. Time and place. With change comes growth. Onward into change. There is freedom in that, indeed.