Homage To “Greatest Of All Time”: The 90’s Supermodels Return To The Cover Of Vouge

American Vouge & British Vouge/September Issue, 2023

I would be remiss to not acknowledge the return of the original Supermodels to grace the cover of THE SEPTEMBER ISSUE of Vouge. Both the American Vouge and British Vouge united to bring these four together, decades later. 2023. Gracing the glossies, once again, it is with experience of time and years that each of these women, who have impacted not only the world of fashion, but beyond, are paid a tribute to in both the US and the UK issues. Capturing the coveted cover of Vouge’s most important editorial calendar month-September- is certainly an impactful statement. As these four women have and will always be Supermodels. Wisdom, poise and grace

American Vouge, September Issue 2023
British Vouge, September Issue 2023

“They weren’t born into this. And they surpassed the world they entered into” – Roger Ross Williams, Director, “The Super Models”

In the late 1980’s to mid 1990’s, the Supermodels embarked upon the world of fashion as a new era of modeling hit the covers and pages of fashion’s glossies. Said to have been “A cultural moment that became singularly important” in fashion, the Rare combination of extraordinary photogenic features, born-with it self confidence, intuitive style, intense curiosity, and utterly bananas work ethic flipped the switch for the industry (Brian Grazer, Director, “The Super Models”). All of which brought these models into stardom, both in pop culture and in page after page of fashion’s archives. Dubbed an “Elite clique”, they were business women in the art of their craft. And they were incredible. Rightly stated by Sally Singer for Vouge: Women whose professional lives were once defined by supersonic itinerancy….” Indeed, it was a Supersonic embarkment upon fashion that carried them through that decade.

The Iconic photographic images of that time will always live on as iconic moments of a time in fashion. Why so impactful to me? I was their age at the time when they entered the world of fashion and hit Superstardom. I grew with them. And I viewed their rise…and fall from the covers of fashion. It was a world before internet. And the magazines of fashion were my only connective to the world I coveted. The art of the model, fashion and the art of photography. Now in my 50’s, like them, my nod and homage to them, and to the world of fashion that catapulted them, and to the Era in fashion that they reigned over, I applaud them all. And Vouge. For uniting them together, once again, to grace a cover and impact us all. Once again. A return to fashion as fashion, indeed….

The Original Supermodels, 2023

To pay tribute to these Supermodels, I cannot help but delve back to the time when they were replaced. In the late 90’s the world of American fashion switched gears to a new focus in print in hopes to sell more magazines: celebrities. Celebrities replaced not only the Supermodels from the covers but practically all models. Replaced by the world of Hollywood and the music industry (and eventually even the faces of politics). It was a shift. And in my opinion, a sell out. Compromising the integrity of fashion and the founding purpose of the fashion magazine. I remember it well. I was disheartened. I recall that each new month my hopes that a model would once again grace the cover of fashion’s glossies and fashion would return to fashion. Alas, the reign of the Supermodels, or models & fashion, for that matter, had ended. And I have always looked back at it fondly. For it was a time when fashion was about fashion. Fashion magazines were about the designer. The Clothes. The Models that wore the clothes and the photographer that captured them. It was a combined art form. And it suddenly became a mere celebrity obsession and the “Illusion of substance”. As a result, in the late 90’s I had let my magazine subscriptions expire and would merely walk past the magazine stands, wistfully, once I verified that the cover was yet another “celebrity”.

“Trading on Hollywood magic: Celebrities push models off women’s magazine covers”. – The New York Times, January 30, 1999

Interesting to add…in the words of Linda Evangelista, New York Times, January 30, 1999:

”The term ‘supermodel’ is a press-induced word,” she said through a spokeswoman. ”We have never called ourselves supermodels.” She added, ”I feel the readers are more intelligent and appreciate beauty no matter what the females’ traditional career may be.” She noted that if models are not appearing on American covers, they can still be found on the majority of European and Asian magazine covers”

And yes, I had found myself seeking and purchasing the European glossies…and in fact, they became and are undoubtedly my favorite covers. Framed. Many a cover, and photographic fashion spreads, of these Supermodels, I have saved from that Era in time. A few of fashion’s glossy pages and poignant covers that endure to inspire me. Time and place. There is a part of me that will always remain in the world of the nineties. When fashion was fashion. Again, the art of the designer. The art of the photographer. And the art of the model. Onward.

American Vouge, January 1990

And of the legendary image that is said to have ushered in the era of the Supermodel? The iconic image, captured by photographer, Peter Lindberg, grouped Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turligton and Cindy Crawford together on the glossy cover of January 1990’s issue of Vouge. 1990 and 2023 covers. Now, 33 years later, the “Greatest of All Time” (although with the loss of Tatjana Patitz, who passed earlier this year) as in the 90’s, this 2023 September issue is indeed a homage to these icons that will withstand time. Is it 90’s nostalgia? I think not. Certainly, not for me. Rather, it is part of fashion’s legacy. Where it once was and where it will never return again. But, that said, there is still hope. A glimmer, perhaps, that the icons of today’s top models will find their way to the cover with more frequency. Onward in that!

Onward,

Kristin

PS: For the record…as the years and decades have past, I have gone in and out of subscriptions of fashion’s glossies. That said, upon learning the Supermodels would return to the cover of Vouge, I re-subscribed to American Vouge, once again. Perhaps it has always just been a love affair. Onward in the love of fashion!

“Karl Lagerfeld: A Line Of Beauty”, The MET 2023

Karl Lagerfeld MET Exhibit 2023
The Metropolitan Museum Of Art, New York City
July 14, 2023

On the closing weekend of the Costume Institutes Spring exhibition, Karl Lagerfeld: A Line Of Beauty, at the MET (Metropolitan Museum Of Art, New York City), I took in, in awe, the vast work of the iconic and prolific designer. (The Exhibit hosted the MET GALA and ran from May 5- July 16).

“Focussing on the designer’s stylistic vocabulary as expressed in aesthetic themes that appear time and again in his fashions from the 1950’s to his final collection in 2019″The Met, Press Release

Of those designs included in this exhibit, in which Lagerfeld served as the Creative Director, are the following: Fendi: 1965-2019, Chloe: 1974-1983 & 1992-1997, Chanel: 1982-2019, and his eponymous label, Karl Lagerfeld: 1989-2019.

The MET/ Karl Lagerfeld: A Line Of Beauty

Presented as “a thematic and conceptual essay about Lagerfeld’s work, it is important to note the meaning behind the title of the exhibit itself. “A Line Of Beauty”.

The exhibition “examines his career spanning more than half a century through a framework based on William Hogarth’s “The Analysis of Beauty,” specifically his ideas of a serpentine line representing liveliness and a straight line indicating stillness” 

The Analysis of Beauty is a book written by the 18th-century artist and writer William Hogarth, published in 1753, which describes Hogarth’s theories of visual beauty and grace in a manner accessible to the common man of his day. Prominent among Hogarth’s ideas of beauty was the theory of the Line of Beauty; an S-shaped (serpentine) curved line that excited the attention of the viewer and evoked liveliness and movement.”

Serpentine Line/ William Hogworth

The serpentine line signifies Lagerfeld’s historicist, romantic, and decorative impulses, while the straight line indicates his modernist, classicist, and minimalist tendencies. These two lines are further divided into nine “sublines” that present aesthetic and conceptual dualities showcased in Lagerfeld’s designs for Chanel, Chloé, Fendi, and Karl Lagerfeld: feminine and masculine, romantic and military, rococo and classical, historical and futuristic, ornamental and structural, canonical and countercultural, artisanal and mechanical, floral and geometric, and figurative and abstract. Bridging these dualities will be figurative “explosions”: garments that represent moments of convergence, wherein the competing aesthetics of these dichotomies are united and reconciled“. -The MET, Press Release

Lagerfeld. The “S”

“The exhibit centers first and foremost on the dichotomy of the curved “S” line (think romantic, decorative) and the straight line (modern, minimalist), with one curved wall and one straight wall in each gallery, and designs that express each aesthetic.” – AP News

Like myself, who walked through the exhibit, with its rounded corners of intrigue that were met with straight walls and edges, it truly was a dichotomy. Yet it was a beautiful infusion of themes that seemed to flow amidst that contrast of vast differences of style. A Line Of Style. Each turn of every corner or rounded wall took one on a journey through fashion. And into the world of Karl Lagerfeld. I found myself yearning even moreso to gain a better understanding of the man being the dark shaded glasses. For certain, I left the exhibit with even more respect for the designer and his gift to the world of fashion. His artistry was vast. His links to the current world he designed within evident. Time and place. The images that I have captured and compiled are of the garments that I was enchanted by. Past and present. To see these couture garments up close and study the details of their elegance and true artistry was exhilarating. And unforgettable.

A Line Of Beauty: Karl Lagerfeld Exhibit/The MET 2023
Countercultural Line/ House Of Chanel
1991/Peter Lindbergh for Vouge/“Wild At Heart”/Chanel

As impactful as the exhibit was to me, I simply have to share a special moment of personal connection experienced during the exhibit. And share an image from fashion’s glossies to link time and place. Circa 1991. Styled by Grace Coddington, photographed by Peter Lindbergh, it was image of the elite eight Supermodels in Brooklyn, NY for the September 1991 issue of American Vogue. It has remained an iconic era of Lagerfeld to me. That September Issue. The editorial termed “Wild at Heart”, featured Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder, and Stephanie Seymour). An iconic editorial that impacted me 32 years ago and endures as a personal favorite. The duality of romantic elegance and bold and fearless leather. And Chanel-esque accessories. An unexpected contrast that Lagerfeld rocked. To see the mannequin adorned in pink and leather above me on a pedestal halted me. In pure delight. And I gazed and smiled, frozen in my stance, mesmerized by time and place. I knew exactly the supermodel who it had adorned. Flashbacks in fashion. In fact, I heard a gasp from an attendee, that rounded the corner behind me, voice out loud “There she is. There’s the one we all know and love”. To turn and see her gaze set upon the same mannequin verified it for me. Yes, it can be a love affair linked to fashion and form. And time and place. Lagerfeld had that way. Of impact. Even in his absence his designs still impact and will continue to do so.

And so, on to the compilations of a moment in time at the MET. Karl Lagerfeld and his artistry, creativity and vast designs of style. Not every line from the exhibit is presented, but rather it is a personal, inspirational recollection compilation of the exhibit. And, for the record, if there is a theme throughout what I have presented, perhaps it can be said that his designs and tenure at the House Of Chanel were my focus. They always have been…

Romantic Line/ House of Chanel
Romantic Line/ House Of Chanel
Romantic Line/ House Of Chanel
Floral Line/ Fendi
Floral Line/ House Of Chanel
Floral Line/ House Of Chanel
Floral Line/ House Of Chanel
Floral Line/ House Of Chanel
Floral Line/ Fendi
House Of Chanel
Feminine Line: House Of Chanel
Artisanal LIne/ House Of Chanel, Fendi
Artisanal Line/ House Of Chanel
Rococo Line/ House Of Chanel
Classical Line/ Fendi
Countercultural Line/ House Of Chanel
Countercultural Line/ Military Line/ House Of Chanel
Geometric Line/ House Of Chanel
Canonical Line/ House Of Chanel
Canonical Line/ House Of Chanel
Mechanical Line/ House of Chanel
Masculine Line/ House Of Chanel
Masculine Line/ House Of Chanel
Masculine Line/ House of Chanel
The Satirical Line/House Of Chanel
The Satirical Line/House Of Chanel

“I am like a caricature of myself. Like a mask. For me, the Carnival of Venice lasts all year” – Karl Lagerfeld

Perhaps the final line in the exhibit, the Satirical Line, brought a grin of acknowledgement of Lagerfeld’s witty sense of humor. Perhaps this is the image of Lagerfeld we immediately think of. Iconic Lagerfeld. It was in the early 2000’s that he is said to have developed his own personal uniform through years of self-study. In black and white. For certain, he became an identifiable icon in his world of black and white restraint. The power of his uniform endures.

“Black, like white, is the best color!” – Karl Lagerfeld

And of course, I completely agree…

The Satirical Line/ Chloe
The Satirical Line/ House Of Chanel
Floral Line/ House Of Chanel

Of note, and on view throughout the exhibit, were sketches of many of the garments on display. Another visual of connecting his work. It has been said that Lagerfeld’s unique design process, his practice of sketching, was not only an expressive fashion illustration but how he communicated details and technical design. Incomparable artistry of a designer, indeed.

“My sketches look like the final thing”- Karl Lagerfeld

Recreated. The Desk of Karl Lagerfeld/A Line Of Beauty Exhibit

“I don’t anyalyse what I do. I do it without comment. I propose things. My life is a life of proposals” -Karl Lagerfeld

“In the end, I am just a mercenary paid to perpetuate the label. You can’t go wrong with that” – Karl Lagerfeld

The impact of seeing the recreation of the wondrous chaos of his desk was inspiring. The exhibit lives in my memory. For certain, Lagerfeld was a “Fashion designer-impressario”. Truly, “The personification of a zeitgeist-embracing and commanding several styles simultaneously”, as clearly evidenced throughout the exhibit.

One last image and notation to share…. and perhaps an image that I captured which expresses the exhibit to me. Form. The silhouette and the shadows. There was no oversight in the way the lighting presented the mannequin figures of fashionable art by Lagerfeld. For the shadows actually became a part of the exhibits impact

Line of Style “Shadows”

My appreciation and admiration of the iconic designer, whose remarkable career spanned 65 years, has tremendously increased through visually seeing, in person, the garments of his artistry and the different lines of style as one designer he had created. A Chameleon of Design. It was stunning. That said, the impact of this exhibit will endure to inspire me forward. That is a gift not to be forgotten…

Onward,

Kristin

October 1998, Marshall Fields, Chicago. The Fragrance Launch of JAKO, Karl Lagerfeld

PS: Time and place. In October of 1998 I met Karl Lagerfeld at an autograph signing in Chicago, at what was then Marshall Fields. It was the launch of his fragrance, Jako. In a world before cell phone cameras, I knew this moment would be a rare, lifelong recollection. So I brought a real camera. And photographed him from afar, with discretion. In 1998 it was a world before selfies. And it was a world that Lagerfeld had already impacted. Time and place, onward. And of meeting him? His elegance exuded him. And I have never forgotten that. Once an icon, always an icon. Personal favorite, onward…

In Acknowledgment Of The Passing Of A Supermodel: Tatjana Patitz

Vouge Italia, February 2023

Tatjana Patitz.

An ode to Tatjana…in acknowledgement of an icon in fashion whose impact will endure to live on…

Tatjana Patitz (1966-2023) was a German model. And a Supermodel. It was during the 1980’s and 1990’s that her stardom would ascend and she would appear on the covers of fashions glossies. Born in Hamburg, West Germany and raised in Skanör, Sweden, Tatijana would become one of the top supermodels who ruled the runway in the 1990’s. The volume of photographic captures of Tatjana is vast. This tribute is a mere capsule of her gift to the world of fashion.

For one who fell in love with the art of fashion…and grew into womanhood following the rise of the Supermodel…the impact of life’s brevity has struck again with the loss of one of the greatest, Tatjana Patitz.

Again, a mere visual compilation of images in acknowledgement….

Tatjana Patitz…Covers of Fashion

 

Captured By Photographer Herb Ritz:

“My favorite face is probably Tatjana Patitz.  I think I’ve photographed her more than anybody, and to me more than any of the women she has the most unusual face:  Strong, oval, the almond eyes and those strong lips- and it’s her gaze, her inner self that always comes through so strongly”Herb Ritz

Captured By Photographer Peter Lindbergh:

“I admire Tatjana because she always stays herself.  She’s very soft, but at the same time she’s very strong and knows how to stand up for what she thinks, and it’s always very enriching to be with her.  It’s impossible not to admire her and over the the years not to be just a little bit in love with her” – Peter Lindbergh

Peter Lindbergh, 1990 Vouge Italia
Captured By Photographer Patrick Demarchelier:

“It’s hard to get a bad picture of Tatijana.  She’s very photogenic, which is very rare and she looks different in every light”Patrick Demarchelier

Tatjana Patitz
Tatjana Patitz
Gracing The Glossies Of Fashion…Tatijana Patitz
Tatjana Patitz

She possessed an exoticism and broad emotional range that set her apart from her peers”Nigel Barker “The most lasting images of her are when she was really looking like herself.”- Nigel Barker

This image has an empty alt attribute; its file name is tatiana-patiz-supermodel-p-9.png
Tatjana Patitz: Fashion Past & Fashion Forward

“Indeed, Patitz’s features almost confuse. Like Garbo  or the Mona Lisa, the inexplicable gifts of line and luminescence defy definition”Harper’s Bazaar

Tatjana Patitz
Tatjana Patitz

“Always the European symbol of chic….She was far less visible than her peers — more mysterious, more grown-up, more unattainable — and that had its own appeal.”- Anna Wintour, VOUGE

Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz

“One of the original supermodels and a must in photographs and on the catwalk”.  Vogue, 2012, Grace Coddington

Tatjana Patitz

“At just shy of six feet tall, Teutonically self-composed, and dominating any room she cared to walk into [sic], Tatjana was the biggest beast in the seething jungle; Vogue amplified the comparison by fixating on her lynx-like eyes, impossibly blue and curved around the temples like a cat’s”. –  Vogue Model: The Faces of Fashion.

Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatijana Patitz

“Patitz is greatly responsible for establishing the acceptance of statuesque and curvaceous beauty in an industry of extreme thinness” – Author Linda Sivertsen

Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatijana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz
Tatjana Patitz. An Equestrian Love.

In acknowledgement of her love of horses….

“I have been riding since I was a small child. For me, it means freedom, connectedness, and dedication. Horses transform stress and worry for me. They are genuine and spiritual. They make me happy and relaxed, especially if I feel pressured or tense”. – Tatijana Patitz

Tatjana Patitz
Tatjana Patitz

Perhaps one cannot fully acknowledge the impact of Tatjana in fashion without acknowledging the SUPERMODELS...

The proclamation of the Supermodel could be attributed to the glossy cover of British Vogue in January of 1990. An Era-defining cover at the start of a new decade, for certain….

British Vogue 1990: “The Big Five” Supermodels

For those that recall the Era of the 90’s Supermodels and lived through that heightened time in fashion.. a brief recap of the time that will forever inspire me…

It was a moment in time when fashion was about fashion.  And the images of models wearing the styles of designers graced the covers of fashion’s glossies.   Fashion as an art form.  And the models that represented the changing styles and transformational chameleons the models became at the hands of makeup, hair and photographic artists that captured them. Supermodels.

Truth, I was one who purchased these glossies from the magazine stands since the mid 1980’s, a time in which the term “Supermodel” is said to have surfaced as models began to experience a level of celebrity.  But it was during the 1990’s that a group of five models rose to unprecedented superstardom through fashion’s glossies and its catwalks. The Supermodels emerged- “a select group of individual-looking, business-minded, high-profile fashion models”, often referred to as “The Big Five”:  Naomi Campbell, Cindy Crawford, Christy Turlington, Linda Evangelista, and Tatjana Patitz. The original Supermodels. Icons of the time. But as in the world of fashion, the world of the Supermodel would evolve again to include Claudia Schiffer (who is said to have replaced Patitz).  The arrival of Kate Moss would evolve to “The Big Six”. Many more models would also rise to Supermodel status. It was an Era, indeed…

And yes, I had curated a collection of covers and glossy prints of the Supermodels portrayed in the art of fashion’s branding and visual merchandising. I watched it all happen. And I became a woman along with the Supermodels. For in later years I realized that they were not much older than I. The time was quite magical. And unique. Watching the five women in print- chameleons by way of the designer, photographer and makeup/hair artists that positioned them for the glossy visuals and unleashed them onto the catwalks that would endure to impact and sell fashion. And inspire. It truly was an art. Fashion. Designers. Photography. Makeup artistry. Five women. And it was thrilling to visually flip through the different glossies each and every month. Which Supermodel graced the cover this month? And yes, during the 1990’s I often splurged on the glossies of European Vouges. I was smitten with the art of it all.

Alas, all things rise and fall.  And by the late 1990’s, the glossy covers of fashion would elevate Hollywood celebrities and Pop singers.  The iconic Era of the Supermodel, as it was once known, no longer had the limelight of fashion’s focus. Perhaps I hold a very passionate stance on what fashion once was: The designer and the model-and the photographer who captured it all…No other group of models have matched the influence and status as the original Supermodels. To acknowledge the impact the Supermodels had is to understand fashion in a poignant decade of time

SUPERMODELS, 1990’S
SUPERMODELS COVERS, 1990’S
“White Cotton Shirts” By Peter Lindbergh for Vouge
Tatjana Patitz..later years

“I am proud of my wrinkles. I worked for each one and they belong to me. Growing older is beautiful. You become wiser and more mature. For me, giving away or changing that gift is not an option … Beauty means being a good person and being there for others. In my opinion, beauty is not only about looks, but everything that makes up a person” Tatjana Patitz, 2019

Tatjana Patitz, Harpers Bazaar 1990

The legacy of a Supermodel. In images. A visual acknowledgement. A woman. A mother. Taken by breast cancer. She was 56.

-Kristin

A Fashionable Nod to Halloween…

Fashionable Halloween: Models In Guise
Fashionable Halloween: Models In Guise

Halloween. A nod to the occasion with a fashionable appeal on the day in which we transcend ourselves into a world of mystery and fantasy. For me, it is the beauty that I seek from the masqueraded moment. Thus, Fashion. Models. Intrigue. For certain, even Halloween can offer up a beautiful rendering in which to disappear behind a mask that offers fascination and curiosity. Life can be beautiful at all times. Elegance can certainly prevail. Even on Halloween.

Lights & Halloween Vibes:  From The World Of Fashion
Lights & Halloween Vibes: From The World Of Fashion

To those that don a masquerade of style, onward into the night when pumpkins glow in the moonlight…A fashionable halloween, onward
Happy Halloween!  

Onward,

Kristin


“There is magic in the night when pumpkins glow by the moonlight”

“Legendary Style” & Timeless Icons Of Fashion: Tiffany’s & Christy Turlington

Tiffany's & Christy Turlington:  Legendary Style Campaign Fall 2016
Tiffany’s & Christy Turlington: Legendary Style Campaign Fall 2016

Christy Turlington and Tiffany’s. A perfect pairing.  It is termed that “Legendary” is to be remarkable enough to be famous or very well known and that “Style” is a manner of doing or presenting things. “Legendary Style” paired together with an object and a woman is Tiffany’s stunning visual campaign for Fall of 2016.

Not a new topic of focus from my archives of the era of the Supermodel, it is Christy Turlington who has remained as an enduring icon of the art of the model to me. In October of 2013 I applauded the Return To The Cover: “Iconic Supermodels” Gracing Harper’s Bazaar (which paired with the distinctive beauty of another enduring icon of modeling, the striking Linda Evangelista). For certain, iconic style repeats with iconic models. Another photographic visual of modern elegance paired with minimalism in design, indeed.  Christy Turlington has always seemed to represent timeless yet modern elegance.   A perfect union with the Fall 2016 campaign launch by Tiffany’s

“I am sort of a less is more kind of girl and I love to just pick something I love and just wear it”.
“When I hear Tiffany I think iconic. I think New York. I think modern.   
When I hear Tiffany I think forever”

– Christy Turlington, Tiffany’s Fall Campaign 2016

Christy & Tiffany’s Elsa Peretti

Christy & The Tiffany T

To appreciate the artistry of the Fall 2016 Campaign for Tiffany’s a short film and documentary entitled “Some Style Is Legendary” directed by Oscar®-nominated, and Emmy Award-winning filmmaker R.J. Cutler (also director of The September Issue) certainly deserves a viewing.  Inspiring, for certain. In search of a new creative marketing brand campaign, Tiffany’s paired with creative partner, Grace Coddington, an esteemed fashion editor for 50 years and creative director at large for American Vouge magazine. Coddington sought a “Very modern Tiffany’s because I think the jewelry is super modern”


“For generations, Tiffany has defined the true meaning of legendary style. For our latest campaign, we set out to find the best creative talents both behind and in front of the camera, to present our iconic collections. Who better than Grace Coddington, a style legend in her own right, to serve as our creative partner.”

-Caroline Naggiar, chief brand officer, Tiffany & Co

Creative Partner For Tiffany's, The Fashion Editor Icon, Grace Coddington
Creative Partner For Tiffany’s, The   Fashion Editor Icon, Grace Coddington

With a goal of modernity “In a major way”, Coddington found her inspiration from past close up images of model Kate moss taken against a blue background by photographer David Simms. In the short film documentary, Coddington described the color blue, New York and of course, Tiffany’s.

“Blue is a very extraordinary color.  It’s a very positive color”- Grace Coddington

“I always say “why do I love New York?” its because the sky is always blue.                                               It’s an extraordinary city because it is old and yet its also incredibly new.
In a funny way that is how you can describe Tiffany’s. It’s old and its new. It’s not ever going to be slotted into one century or another, I think.   It’s sort of endless.” – Grace Coddington

Oh, so well stated….


Regarding the photographic campaign, Coddington stated “I like when its really simple and straightforward
. 
 Thus Coddington’s aim to “Express a moment in a photograph” and present an image that is “Just a moment’ was certainly successful.  In the end, Grace Coddington certainly achieved  her goal of keeping it modern and expressing a moment.
“I wanted something that when you to flip through the pages of a magazine it will stop you. And I think that the images stop you. Indeed, they do, Grace. Thank you for your artistry and the modern yet timeless elegance in advertising of Tiffany & Company. For certain, Legendary Icons, indeed

Tiffany's Advertisements & The Timeless Christy Turlington
Tiffany’s Advertisements & The Timeless Christy Turlington

Legendary Style & Timeless Icons:  Tiffany's & Christy Turlington
Legendary Style & Timeless Icons: Tiffany’s & Christy Turlington

 

Of course, a nod to the three other distinctive and beautiful women selected by Grace Coddington who mark the Fall 2016 Campaign with distinctive appeal. In full color against the “Tiffany Blue” hue. Impact of beauty and legendary style, for certain.

“The authentic, powerful portraits include Oscar®-winning actress Lupita Nyong’o, actress Elle Fanning, as well as maternal health advocate and model Christy Turlington Burns, and model Natalie Westling wearing Tiffany jewelry and photographed by David Sims. Mirroring the print campaign is a cinematic black and white video series directed by Sims, where each woman shares her interpretation of legendary style. Chosen for being true originals, this talented cast wears iconic Tiffany designs that reflect both their style and identity.”
-Tiffany’s press release/2016 Legendary Style Campaign

 

Natalie Westling,Lupita Nyong'o and Elle Fanning
Natalie Westling,Lupita Nyong’o and Elle Fanning

Personally, of all the images in the campaign, it is the images of the iconic Christy Turlington that garners my focus yet again. On selecting Christy Turlington for the campaign Coddington shares that “She’s the most beautiful woman in the world”. Christy simply perfects Coddington’s goal of a subliminal visual of a jewelry advertisement and yet keeping it very modern. Beyond an object and a woman the concept of legendary remains. Tiffany & Co. has proven itself to be enduring, timeless and “Old and new” at the same time. Evolution of a legend. Evolution of style. Evolution of fashionable embellishments that endure to appeal to the Modern woman. Timeless, onward.


“Women of substance, sophistication and style have worn Tiffany jewelry throughout the company’s 180-year history. The campaign imagery captures the way in which Tiffany designs transcend time, transforming the wearer and irrevocably changing the way they move through the world”
-Tiffany & Co.

Appreciation of a model and a timeless emblem of fashion that both move forward in modernity of elegance and simplicity. Bravo, Coddington and Tiffany & Co.  So it was on Magnificent Mile of Chicago, outside our very own Chicago Tiffany & Co.,  when I spotted Christy Turlington gracing a bus stop poster against the robin blue hue of Tiffany’s iconic blue.  Determined to bring further attention to both icons, it is my hope that this acknowledgement of a jewelry campaign and a model provides appreciation.  The art of fashion and timeless elegance.  Elegance will always endure…with a fresh dash of modernity, indeed.

Onward,

Kristin

Chicago's Magnificent Mile & Fashionable Style:  Christy Turlington & Tiffany's
Chicago’s Magnificent Mile & Fashionable Style: Christy Turlington & Tiffany’s

PS: Blue, Tiffany blue, is a very extraordinary Color. New York is an extraordinary city. Christy Turlington is an extraordinary model and Tiffany’s is timeless. Old & New, onward. -Kristin

City Inspirations: Fashionable Windows Of Chicago In September

Chicago In September:  Fashion & Style
Chicago In September: Fashion & Style

Chicago’s fashionable windows in September. With temperatures that would reach into the 80’s, I watched from the train windows the landscape that was already changing. Tips of trees hued in a hint of Autumn’s colorful change. Ever so slight. Sunny skies dotted with clouds welcomed me as I exited the train station onto the streets of Chicago. Another journey in search of fashionable inspiration. Beyond my search behind the lens of a camera, my eyes scan the city scene that surrounds. Always I am energized by the encompassing scene of fashion, architecture, city life and energy therein…

Chicago Visual Of Appreciation
Chicago Visual Of Appreciation

And of the fashionable windows? Merely image upon image captured from behind my lens with hopefully express the visual of the season’s apparent pending fashion change. Autumn. The windows of high fashion style continues to inspire. Perhaps less is more with words as the visuals speak for themselves. With appreciation….a visual compilation of Chicago in September awaits…

Flowing and Modern Elegance:  Ralph Lauren
Flowing and Modern Elegance: Ralph Lauren

Textural & Hued Autumn Delight:  Hugo Boss
Textural & Hued Autumn Delight: Hugo Boss

Chanel: Tweeds. Baubles & Color
Chanel: Tweeds. Baubles & Color

Classic Chanel: Pearls, Tweeds & Accessories
Classic Chanel: Pearls, Tweeds & Accessories

Chanel Visuals:  Classic Style Of Fashion Artistry, Onward
Chanel Visuals: Classic Style Of Fashion Artistry, Onward

Burberry's "Makers House" Visual on Michigan Avenue
Burberry’s “Makers House” Visual on Michigan Avenue

Burberry's "Maker House" Fashion "Pop up" On Michigan Avenue
Burberry’s “Maker House” Fashion “Pop up” On Michigan Avenue

Plumage & Tweed Behind Michael Kors
Plumage & Tweed Behind Michael Kors

Soft  & Textural Autumn Visuals:  Carolina Herrera
Soft & Textural Autumn Visuals: Carolina Herrera

Tom Ford:  Autumn Plaid & Leather
Tom Ford: Autumn Plaid & Leather

Oak Street Visuals:  Dolce & Gahanna & Kate Spade In September
Oak Street Visuals: Dolce & Gahanna & Kate Spade In September

Black Hued Distinction:  Escada
Black Hued Distinction: Escada

Yellow & Black:  Escada Visuals
Yellow & Black: Escada Visuals

Beaded Interest Of Fashionable Appeal Behind The Windows Of Sax Fifth Avenue
Beaded Interest Of Fashionable Appeal Behind The Windows Of Sax Fifth Avenue

Accessories Of High Style:  Sax Fifth Avenue
Accessories Of High Style: Sax Fifth Avenue

Neiman Marcus: Bold Fashion Statements Of Autumn
Neiman Marcus: Bold Fashion Statements Of Autumn

Sax Fifth Avenue:  Fashion's Visual Appeal Behind the Windows of Display
Sax Fifth Avenue: Fashion’s Visual Appeal Behind the Windows of Display

Autumn's Appeal:  Accessories & High Fashion

Prada: Distinctive Visuals In Sunlight
Prada: Distinctive Visuals In Sunlight

Max Mara:  Alluring Style Constant
Max Mara: Alluring Style Constant

Details Of Max Mara Fashion
Details Of Max Mara Fashion

Reflections & Autumn Fashion:  Max Mara
Reflections & Autumn Fashion: Max Mara

Max Mara Visuals:  Fall Delights
Max Mara Visuals: Fall Delights

Basic Black Delight:  Max Mara
Basic Black Delight: Max Mara

Gold & Black:  Timeless Combination Of style Behind Max Mara
Gold & Black: Timeless Combination Of style Behind Max Mara

Fashionable Distinction & Autumn Appeal:  Max Mara
Fashionable Distinction & Autumn Appeal: Max Mara

Max Mara:  Texture, Classic Style & Visual Appeal
Max Mara: Texture, Classic Style & Visual Appeal

Fall's Footwear Impact On Michigan Avenue
Fall’s Footwear Impact On Michigan Avenue

Autumn's Effects:  Chicago Fashionable Windows In August
Autumn’s Effects: Chicago Fashionable Windows In August

Fashionable Distinction On The City Streets:  The Iconic & Timeless Christy Turlington & Tiffanys
Fashionable Distinction On The City Streets: The Iconic & Timeless Christy Turlington & Tiffanys

Consider with appreciation the artistry presented behind the windows of fashion. The visuals alone deserve appreciation. The classics. The Timeless. The iconic. The edgy. Fashion. Always unexpected. Always a delight to me. For fashion display and merchandising is an art form. And always will I find appreciation. From behind my lens. Onward in that.

Onward,

Kristin

Behind The Lens Into The World Of Fashion:  Selfie, me
Behind The Lens Into The World Of Fashion: Selfie, me

Checkered in Classic Style: Gingham Fabric

Checks Of Classic & Modern Appeal:  Gingham
Checks Of Classic & Modern Appeal: Gingham

Gingham. The pattern that never seems to fade. Granted, its appearance and reappearance into fashion proves that it is an enduring classic of crisp and fresh appeal. Fashion evolves and styles change, but the timeless checked pattern of distinction will always thread through fashion’s world. A classic pattern that returns with a fresh, modern spin, once again. Referring to “Striped cotton”, this timeless and classic pattern typically consists of “medium yarns in varying qualities and woven of plan cotton fibers”. Originally, gingham was a bright colored stripe.  Who knew? Gingham evolved into the check pattern that has brought it to its iconic and classic status.

Ranging from medium to light weight and from very small to very large checked patterns, The iconic coloring and pattern is a balanced pattern, with no right or wrong side, since the fibers are colored before they are woven together.  Gingham is most common in blue and white yet gingham would eventually gain its acclaim as a red and white pattern of delight. Of course, there are other colors that have arrived to the forefront that echo the classic checked style.  And of this pattern of checked style?  A look to the past…

 The Iconic "Wizzard Of OZ" Gingham Dress
Judy Garland & The Iconic “Wizzard Of OZ” Gingham Dress

Perhaps the iconic blue gingham dress worn by Judy Garland as Dorothy from the Wizzard Of Oz remains as the most poignant American link to this checkered blue pattern. Yet this patterned fabric that has endured through time to transcend style that would include the mod 1960’s appeal and beyond, deserves a look back. To appreciate this classic pattern that appears in fashion archives since its inception in the world of textiles, a brief background of the pattern of checks….

During the 16th century gingham fabric was manufactured within the Dutch-colonized Malaysia and Indonesia, which excelled in their use of rich, color fast textile dyes that would produce textiles like gingham that wove bright colors through the fabrics. This checked pattern, known as “Malay ginggang”held the meaning of  “With space between, hence striped”.  It is believed that the term Gingham was introduced to the English language by both Dutch and French traders in 1615.  Yet having claim to the word “Gingham”, evidence links that the Italians and Indonesians may have also had a part in the name that stems from the same root, meaning “Striped”.

During the 17th century this brightly colored textile of striped cotton-weave fabric was widely exported to Europe and colonial USA from India and Indonesia through the East India Trading Company. In the mid-18th Century, England’s textile mills produced the checked gingham cotton fabric using imported cotton and dyes. In fact, Manchester, England was the center of gingham fabric production. It is stated that there were 108 cotton mills in Manchester at the peak of its industrial boom. That is quite a lot of gingham to satisfy the rage of fashion’s call.  Fabric of fashionable style, indeed. In America, cotton mills were also established to produce the fabric that was “All the rage” across Europe and in the United States- gingham!

Perhaps Gingham, which has links and symbolism to youth and nostalgia, will continue to  evolve in fashion and in style within the 21st Century.  What is certain is that although it may appear to go “in and out” of fashion, classics never fade.  Always to return, the patterned print of checks will always find its way to fashion’s forefront

Tried & True:  Vintage Gingham Fashion
Tried & True: Vintage Gingham Fashion

One cannot mention gingham without the mention and visual nod to Brigitte Bardot.  In 1959  Bardot married Jacques Charrier in Paris. Donning a wedding dress of pink and white gingham designed by couturier Jacques Estérel, Bardot made the French Vichy pattern  highly fashionable with worldwide appeal. She is even said to have nearly single-handedly brought French glamour to the classic gingham pattern. Of course!

1959/Brigitte Bardot/Paris, France
1959/Brigitte Bardot/Paris, France

Brigitte Bardot (France/1959) Bedecked In Gingham
Brigitte Bardot (France/1959) Bedecked In Gingham

Another nod to the past of checked style…Gingham and Hollywood united and icons and stars such as Ingrid Bergman, Audrey Hepburn, Grace Kelly, Marilyn Monroe, Katherine Hepburn and other icons of style, such as First Lady Jackie Kennedy, would don the checked pattern of stylish fashionable statements.

Icons Of Style:  Bedecked In Gingham
Icons Of Style: Bedecked In Gingham

Vintage Appeal:  Gingham &  Its Fashionable Past
Vintage Appeal: Gingham & Its Fashionable Past

Audrey Hepburn:  Adorned In A Checked Pattern Classic
Audrey Hepburn: Adorned In A Checked Pattern Classic

Marilyn Monroe & Jane Fonda:  Gingham Appeal Of Hollywood Style
Marilyn Monroe & Jane Fonda: Gingham Appeal Of Hollywood Style

Icons Of Fashion In Gingham Fabric
Icons Of Fashion In Gingham Fabric

Fashion's Gingham:  Evolution Of Style
Fashion’s Gingham: Evolution Of Style

Icons & Fashion's Appeal:  Gingham
Icons & Fashion’s Appeal: Gingham

Fashion's Gingham:  Always A Classic
Fashion’s Gingham: Always A Classic

Gingham Style On The Cover Of Magazines
Gingham Style On The Cover Of Magazines

Gingham Style:  Magazines & Fashion's Style
Gingham Style: Magazines & Fashion’s Style

Gingham:  Covers Of Fashion
Gingham: Covers Of Fashion

Fashionable Gingham: Checks Of Style
Fashionable Gingham: Checks Of Style

Modern Appeal:  Gingham & Fashion's Fresh Perspective
Modern Appeal: Gingham & Fashion’s Fresh Perspective

Super Model Gingham: Enduring  Style In A Classic Pattern
Super Model Gingham: Enduring Style In A Classic Pattern

Fresh Appeal:  The Modern Take On Gingham
Fresh Appeal: The Modern Take On Gingham

Moden Gingham:  Fashion's Evolution Of  A Classic Pattern
Moden Gingham: Fashion’s Evolution Of A Classic Pattern

Jcrew:  Gingham Checks Of Modern Appeal
Jcrew: Gingham Checks Of Modern Appeal

Gingham Of Modern Interpretation
Gingham Of Modern Interpretation

Gingham Style: Colorful & Vivid Checked Appeal
Gingham Style: Colorful & Vivid Checked Appeal

Timeless Blue & White Checked Fashion:  Gingham
Timeless Blue & White Checked Fashion: Gingham

The "Guess" Models In Gingham
The “Guess” Models In Gingham

Masculine & Classic  Style:   Gingham
Masculine & Classic Style: Gingham

Of course, the dapper man bedecked in classic gingham… a visual nod of appreciation, indeed…

 Dapper Classics:  The Man & Gingham
Dapper Classics: The Man & Gingham

The world of entertaining and grand events of life are not without the inclusion of this checked pattern of timeless style. Checked style of celebratory appeal endures…

Wedding  & Entertaining  In Gingham Style
Wedding & Entertaining In Gingham Style

Gingham Style :  The Dapper Groom & Groomsman
Gingham Style : The Dapper Groom & Groomsman

Entertaining Bliss In Checked Style:  Gingham Delights
Entertaining Bliss In Checked Style: Gingham Delights

Of course, a visual appreciation of gingham outside the world of fashion and into the world of the interior. Gingham is certainly a statement of bold appeal when found within the interior. Interior, appeal, for certain…

Interior Delights In Gingham Style
Interior Delights In Gingham Style

Gingham:  Interior & Exterior Appeal
Gingham: Interior & Exterior Appeal

Vivid Appeal In Checked Style:  Gingham Interiors
Vivid Appeal In Checked Style: Gingham Interiors

Consider the classic pattern of checks. Whether it is a modern take on the timeless fabric pattern that adorns our fashionable world, embellishes events and celebrations or boldly proclaims itself within our interiors, gingham is worthy of appreciation.  Now a modern classic with a historied past, indeed…

Onward,

Kristin

“The fabric of existence weaves itself whole” -Charles Ives

A Year Of City Inspirations: The Fashionable Windows Of Chicago, 2015

January, February, March & April 2015
January, February, March & April 2015

May, June, July & August 2015
May, June, July & August 2015

 

September, October, November & December 2015
September, October, November & December 2015

Another year from behind the lens

Another year of fashionable appeal of the timeless, ever changing world of fashion and its whimsy appeal brought forth by the intriguing and inspiring world of window display. Fashion window display. Although a retrospect of the year in photographs and compilations is not new to me (for I have ventured into the city of Chicago, with the sole purpose of photographing fashion’s changing settings, for two years now) the year 2015 in fashion deserves a visual review. Prior to the fashionable windows of 2014  it was a yearly visual appreciation of city inspirations. My love for the city has not paled. Yet my appreciation for the windows of fashion has deepened. Always have I been lured to the windows that mesmerize. Windows that flaunt a visual. Whether in elegant simplicity or in flamboyant and colorful display, fashion beckons me. From behind the lens, I have aimed my lens to capture the essence of the changing fashionable scene. Within the compilations I have sought to express the magic and changing world therein. Behind the lens. Behind the windows of fashion.

For those that wish to take a closer look at the photographic compilations beyond what is presented here, of each month of city scenes behind the windows of fashion, merely search “City Inspirations”.  The compilations of a month-by-month visual will hopefully provide you with fashionable inspiration and appreciation throughout the year wherever you reside.

Of course, a closer view at a mere representation of each month …

Chicago In January/ 2015
Chicago In January/ 2015

Chicago In February/2015
Chicago In February/2015

Chicago In March/2015
Chicago In March/2015

Chicago In April/2015
Chicago In April/2015

Chicago In May/2015
Chicago In May/2015

Chicago In June/ 2015
Chicago In June/ 2015

Chicago In July/2015
Chicago In July/2015

Chicago In August/ 2015
Chicago In August/ 2015

Chicago In September/ 2015
Chicago In September/ 2015

Chicago In October/ 2015
Chicago In October/ 2015

Chicago In November/ 2015
Chicago In November/ 2015

Chicago in December/2015
Chicago in December/2015

May you be inspired to look closer to the fashionable surrounds that exist around you. For me it is a continual visual of appreciation of the artistry and the magic of fashion merchandising and the evolution of fashion’s change.  Inspiring, indeed.   I will continue my photographic quest to share the fashionable inspiration from the windows of fashion. Chicago and beyond.

And as for the New Year ahead that awaits us? Perhaps the words I stated in 2014 deserve repeating:

“Edit and frame your view. Life is constantly moving forward. Move with it with appreciation. Focus on what surrounds you. May your eyes be wide and your interest piqued….always.” -Kristin

Onward. In appreciation. Onward. In inspiration.

As always….Onward,

Kristin

Behind The Lens
Behind The Lens

City Inspirations: Fashionable Windows Of Chicago In September

Fashionable Windows Of Chicago In September
Fashionable Windows Of Chicago In September

City inspirations. Yet another tour behind my lens of the fashionable world of Chicago. Changing seasons. Changing fashionable windows that proclaim those changes. Fashion is just that. Change. But consistently running through the changes are the timeless classics. Fashionable basics, if you will. Amidst the appreciation for the whimsy of fashion itself, my lens seeks the inspiration of the world that is artfully presented to the world of passerby’s on the city streets. Fortunate am I to have the proximity, by train, to arrive within the great city by Lake Michigan, and dwell within its energy. For the energy of a city begins on the pavement. It begins on the city streets, below the towering city scape that surrounds…

Chicago Loop:  Elevated Train Tracks
Chicago Loop: Elevated Train Tracks

And of the fashionable windows of Chicago? In September, the arrival of the cool Autumn winds upon the “Windy City” of Chicago await all of those that embark upon the streets. Beyond the passerby’s, the visual displays that beckon my lens await. Of course, the layers of the pending season were expected. Yet fashion’s display and visual merchandising of fashion itself is perhaps what lures me. Presentation. Life is certainly that. What is chosen to be marketed to the masses…the attitude that is emitted from the display and the focus of poignant fashionable elements from behind the thick panes of glass that are presented to inspire those that pause to view. Or for those that merely take a glance at the displays. Fashion as art. From behind my lens…

Winds Of Change:  Fashion Behind Burberry/Chicago
Winds Of Change: Fashion Behind Burberry/Chicago

Burberry/Chicago:  Fashionable Inspiration Of Timeless Appeal
Burberry/Chicago: Fashionable Inspiration Of Timeless Appeal

Layers & Patterns Of Iconic Appeal:  Burberry/Chicago
Layers & Patterns Of Iconic Appeal: Burberry/Chicago

Autumn Impact:  Fashionable Windows Of Chicago
Autumn Impact: Fashionable Windows Of Chicago

Fall's Windows Of Chanel:  Chicago
Fall’s Windows Of Chanel: Chicago

Fashionable Chanel: September's Tweed Inspiration & Accessories
Fashionable Chanel: September’s Tweed Inspiration & Accessories

Ralph Lauren/Michigan Avenue:  Fall Inspirations
Ralph Lauren/Michigan Avenue: Fall Inspirations

Fashion's Autumn Proclamation:  From Behind The Windows Of Fashion
Fashion’s Autumn Proclamation: From Behind The Windows Of Fashion

Max Mara:  Visual Window  Delights In September
Max Mara: Visual Window Delights In September

Max Mara:  Autumnal Delights Of Timeless Appeal
Max Mara: Autumnal Delights Of Timeless Appeal

Max Mara:  Autumnal Delights Of Timeless Appeal
Max Mara: Autumnal Delights Of Timeless Appeal

Textural & Visual Appeal:  Max Mara
Textural & Visual Appeal: Max Mara

Muted & Textural Delights Behind The Windows Of Max Mara
Muted & Textural Delights Behind The Windows Of Max Mara

Bold & Bright Visual Impact:  Macy's/State Street
Bold & Bright Visual Impact: Macy’s/State Street

Fashionable Impact Behind The Windows Of Macy's/State Street
Fashionable Impact Behind The Windows Of Macy’s/State Street

Fall Lineup:  Macy's/State Street
Fall Lineup: Macy’s/State Street

“Fashion’s Front Row”/Macy’s/ State Street

Autumn's Fashionable Appeal:  Chicago In September
Autumn’s Fashionable Appeal: Chicago In September

Fashion's Statement On The City Streets
Fashion’s Statement On The City Streets

Fashion's Impact Upon Chicago's City Streets
Fashion’s Impact Upon Chicago’s City Streets

Beyond the evidence of fashion’s inclusion among us upon the city streets…remember that the world that surrounds you deserves appreciation. Look upward. Visual delight always awaits….

Architectural Distinction Off Chicago's Michigan Avenue
Architectural Distinction Off Chicago’s Michigan Avenue

Consider with appreciation the fashionable streets that line the city streets that surround you. The fashionable windows that hold visual appeal. Worthy of more than a mere glance, take a closer look at the art form itself. Bound to inspire, in art form. In a world that moves swiftly around us, taking the moment to appreciate the details that surround us is paramount. The world that surrounds is a visual gift. Merely waiting for appreciation. From behind the fashionable windows to the towering architectural forms that surround, take a moment. Pause. In appreciation….

Onward,

Kristin

Fashion Behind My Lens

For The Love Of Denim: Homage To The Fabric Of Indigo Blue

For The Love Of Denim
For The Love Of Denim

Kate Moss & Cindy Crawford:  Iconic Poses In Denim
Kate Moss & Cindy Crawford: Iconic Poses In Denim

For the love of denim….Not a new topic of focus for me but rather, one that earns yet another visual nod of appreciation. Perhaps there is no other season where denim acquires attention and fixation than at the onset of Fall. A season that seems to equate itself with the fabric of blue indigo hues, denim has endured to appeal to us as an essential of Autumn. The thrill of a new pair of jeans, donning the iconic denim jacket or another workhorse of style, the denim shirt. Timeless.

Truly a seasonless icon, denim is always in ‘Vouge’. Making its appearance every season, the world of denim never disappears from fashion’s forefront. The true blue indigo world of denim offers a durable and versatile stylish fabric that is a staple in nearly every woman’s wardrobe. Denim is ageless. Perhaps that is why I still cling to it. “Forever in blue jeans”. Stylish options in which to personalize with flair. Indeed, accessorizing the look is merely how you own the fabric. Life is certainly all about the details.

Again, another nod to the world of the fabric of denim itself…

Fashion Covers:  Layered In Denim
Fashion Covers: Layered In Denim

Covers Of Style:  Denim In  The World Of Fashion
Covers Of Style: Denim In The World Of Fashion

Fashion Magazine Covers Of Denim  Appeal
Fashion Magazine Covers Of Denim Appeal

The Stylish Fabric Of Denim
The Stylish Fabric Of Denim: Verushka & The Iconic 90’s Supermodels

Icons Of Style & The Timeless Fabric Of Denim
Icons Of Style & The Timeless Fabric Of Denim

Denim Love:  Carolyn Murphy & Lauren Hutton
Denim Love: Carolyn Murphy & Lauren Hutton

Denim:  Fashionable Inspirations Of Enduring Appeal
Denim: Fashionable Inspirations Of Enduring Appeal

Stylish Denim:  Versatile & Durable Style
Stylish Denim: Versatile & Durable Style

Denim Love:  Enduring Style
Denim Love: Enduring Style

The World Of Fashionable Denim Style
The World Of Fashionable Denim Style

Indigo Blue Hues:  Denim Love
Indigo Blue Hues: Denim Love

Blue Hue Style Of Denim
Blue Hue Style Of Denim

Fashion & The Enduring Fabric Of Denim
Fashion & The Enduring Fabric Of Denim

Fashion's Denim: A Love Affair
Fashion’s Denim: A Love Affair

Denim Love:  Versatile Stylish Appeal That Endures
Denim Love: Versatile Stylish Appeal That Endures

Consider with appreciation the world of denim. No matter the season, denim is always in style. Indeed, denim has stood the test of time. It’s classic. Whether you layer yourself in a denim shirt, jacket or the classic jean, denim is a fabric that may fade with wear, but will never fade out of fashion.

Onward in denim…..

Kristin

PS: And of those blue jeans? Perhaps no one stated it better than Yves Saint Laurent
“I wish I had invented blue jeans. They have expression, modesty, sex appeal, simplicity- all I ever hope for in my clothes”
-Yves Saint Laurent